Clean, natural conversion LUTs for Panasonic V-Log Cameras.
LUT pack is compatible with any V-Log camera. These include but are not limited to:
- Lumix GH Line (GH4, GH5, GH6 etc)
- Lumix G Line (G9 etc)
- Lumix S Line (S1, S1H, S5 etc)
- Lumix FZ2500
- Varicam Models
- EVA 1 and more
This LUT pack includes a false color LUT for use with camera monitors on set and several grading LUTs.
Using these LUTs, you can convert V-Log and V-Log L to a pleasing Rec.709 image and make quick adjustments to exposure and skin tones.
FALSE COLOR LUT
The false color LUT only displays three colors:
- Red = Highlight Clip
- Dark Green = Correct Skin Exposure
- Light Green = Over (ETTR) Skin Exposure
This means at a glance you can see if your subject is correctly exposed while also seeing clipped parts of your image if any.
False Color LUT Applied Over V-Log In Camera
The colors displayed in this LUT have been specifically tuned to V-Log and there is also a version for Dynamic Range Boost on the GH6.
The grading LUTs can be used to achieve very pleasing color and will correct several issues with the stock Sony technical LUTs.
These LUTs ARE NOT creative LUTs. Color and contrast are natural and clean. These LUTs are designed to quickly get your image 90% complete while also improving color.
Rather than spend time correcting every shot, I created these LUTs to speed up my post workflow and have added two additional features which are detailed below.
Each grading LUT has two numbers signifying exposure shift. This allows you to overexposure your footage (to improve noise performance) and grade those shots easily. There are 5 exposure LUT levels to choose from:
- 0-0 - No exposure shift
- 0-5 - For shots overexposed by 0.5 stop (or half a stop)
- 1-0 - For shots overexposed by 1 stop
- 1-5 - For shots overexposed by 1.5 stops
- 2-0 - For shots overexposed by 2 stops
These exposure shifts allow you to easily compensate for overexposures without having to spend as much time correcting shots manually. Simply find the LUT that works best with the exposure of your clip and the LUT will apply the shift and convert to Rec.709 in one click.
Shot overexposed by 1.5 stops (Left) Pike 1.5 Stop Shift LUT (Right)
SKIN TONE SHIFTS
Each LUT has a skin shift option available in five strengths:
- Base - No skin color shift
- Skin1 - Very minimal skin shift
- Skin2 - Minimal skin shift
- Skin3 - Medium skin shift
- Skin4 - Strong skin shift
These skin color shifts take the red in skin tones and shifts it toward orange. This can been seen on a vectorscope as reds rotating toward the skin tone line on a vector scope. this is ESPECIALLY helpful when dealing with pre-GH6 lumix cameras which have very pink skin tones.
Skin tone shift LUTs from base (no shift) to Skin4 (strong)
To learn more about this LUT pack and how to use it, watch the video above.
LUT Pack Tutorial and Download Page